I recently got a copy of a new book, The Other Side of the River, to review. Written by Eila Carrico and published by the wonderful Womancraft Publishing, it is pretty much a forgone conclusion that I’m going to like the book. Plus, that cover! Amirite?
A blog post Eila recently wrote about flow and yoga (and chaos) spoke to me this afternoon:
I learned how to let go of perfection and control by watching the traffic patterns of this small town in Tamil Nadu. There were no signs and rules about where and how to walk, drive, or ride through the streets. There was just an invisible feeling of one’s way and a trust that we will look out for one another. I walked at first, hesitant to enter into the hectic currents of auto rickshaws, massive lorries, herds of uniformed schoolchildren, bikers, bone-thin stray dogs, and shirtless, turbaned old men with ox drawn carts. They all co-existed in this little dirt road, with their diverse speeds, agility, and force. Somehow, they were all given space and flowed together to get where they were going.
Source: Chaos: The Cure for the Common Practice — Annapurna Living
I then enjoyed this blog post about the flow of a Red Tent:
…We might sing a chant like ‘A River is Flowing’, or ‘Mother I feel you under my feet’. There is a time of breathing out before we look forward to the new moon, and write down our positive intentions, changes we plan to make for the month ahead. We share these with the group, which again leads to open discussion. A lot of the themes are about self development, and giving ourselves the time to look at how we are, and how we move forward with renewed strength and courage. The evening flows on, and we end with a song like ‘Evening Breeze, Spirit Song’
Speaking of Red Tents, I recently wrote a FAQ post about the differences between Red Tents and Women’s Circles (and my own two programs about the same): What is the difference between a Red Tent and a Women’s Circle?
This article looks at the increase in Red Tents around the world and the role they play as a safe container for women’s multifaceted experiences:
But while these huts may have been used to restrict, control and keep tabs on women, the modern-day equivalent is an altogether more empowering experience. Like the women in Diamant’s mythical Red Tent, members of modern groups are finding support, sanctity and solace in sisterhood. And because women aren’t all menstruating at the same time anymore, Red Tents are usually held around the New Moon so there is a regularity to the meetings and every woman is welcome.
Source: Why women are gathering in ‘Red Tents’ across the UK
As a homebody introvert type of person, I’ve still been feeling a call for “adventure” lately. My life seems drawn in and “small” somehow lately and I want to go somewhere different and do something different. We are going on a special trip to the ocean this month and I’m really excited about it. I also am reasonably confident that I have the gene for “bloom where you’re planted” rather than the gene for frequent travel: The Genetic Reason Why Some People Are Born To Travel All Over The World – Living Outdoor
I’m not really known for my “flowing” personality, but I have maintained a dedicated daily yoga practice since 2000. I recently laughed until I cried while trying to do a Brigid’s Cross yoga pose suggested by one of my Womanrunes Immersion students:

So comfy! So flowing! So serene!

This is the picture I laughed hysterically over. My “perfect” alignment. My serene atmosphere. It’s a thing of beauty!
I wrote about the messiness of living a creative life with children in a post at SageWoman: Claypriestess
And, about the everyday underworld descents of parenting (featuring fondant pandas) at Brigid’s Grove: Everyday Inanna – Brigid’s Grove
And, I returned to an older post about listening to the soul of art:
“I will be gentle with myself.
I will be tender with my heart.
I will hold my heart like a newborn baby child.”This song by Karen Drucker replayed in my mind as I sculpted. The baby woke, the watermelon got dragged along the floor collecting dust, and it was time for our collaborative dinner, so I had to put her away unfinished. When we got back to our own home, I was compelled to finish her, working feverishly as the baby pulled on my legs and I said, “just a few more minutes!” to the older kids who were trying to play with him to let me work. Again and again I re-rolled the clay baby’s head, trying to make it “perfect,” and worked to lay down the strands of her hair, against of the backdrop of this often-chaotic, noisy, home-based life we’ve consciously and intentionally created together. She was created to represent holding my own center in the midst of motherhood. I will be tender with my heart. I don’t create sculptures like this because I AM so “zen” and have life all figured out, I make them to remind me what is possible if I listen to my soul.
If you’re looking for pockets of joyous creation on your life, you might enjoy this Creative Joy playbook from the beautiful Jen Louden: CreativeJoyPDF.pdf
In other tiny, creative tidbits from life, Mark originally drew this mandala for one of our free goddess greeting cards bundle for the holidays. We then started using it as the logo for the Creative Spirit Circle and for our new Womanspirit Initiation program. I decided to get a print of it made to hang in my tiny temple (kids’ clubhouse turned personal work space) and I’m so very pleased with how it turned out!